Described by Broadway World as the "David Bowie of cabaret," "slyly subversive" by the Wall Street Journal, and labeled the "male Marlene Dietrich" by the New York Times, Kim David Smith, hailing from Australia, is a Helpmann Award nominated singer and cabaret performer, based in New York.
Smith recently starred as Salomé in Oscar Wilde's classic and controversial play as part of the Provincetown Theater’s 2017 season, while 2016 saw Kim portray the Emcee in Hunter Foster's production of "Cabaret" at the Cape Playhouse, to excellent reviews.
Conjuring the glitter, doom, and decadence of 1920's Berlin, Smith's piano-based one-man programme, “Morphium Kabarett,” provides an intimate evening of German, French and English repertoire, subtly intertwining Piaf, Hollaender, Dietrich and Weill with The Supremes, Kylie Minogue, Madonna and many unexpected others.
Smith has toured Morphium Kabarett throughout Australia, earning a 2015 Helpmann Award nomination for Best Cabaret Performer, while also enjoying performances at New York City's Joe's Pub, and Café Sabarsky at the Neue Galerie. Musically directed by Tracy Stark, Morphium Kabarett garnered enthusiastic praise from The New York Times in its six-month 2016 residency at Pangea, which celebrated the whimsy and wickedness of New York City's alt-cabaret scene, with a curated parade of guest-artists, including Joey Arias, KT Sullivan, opera's Anthony Roth Costanzo, and innumerable others.
In 2009 Smith was presented with the Back Stage Magazine Bistro Award for Special Achievement as an Outstanding Performer (honored alongside Liza Minnelli and Charles Aznavour). His electro-pop albums Nova, Supernova, and cabaret EP, The Tease, are available on iTunes and Amazon.
Jeremy Katz at The Katz Company
212-767-0189 // jk@thekatzcompany
Kim David Smith Returns to the Neue Galerie, March 8:
Kim David Smith returns to the Neue Galerie in celebration of its newest exhibition "Before the Fall, German and Austrian Art of the 1930's". Conjuring the glitter, doom, and decadence of 1930's Berlin, Smith explores the works of Weill, Hollaender and Spoliansky, intermingled with the likes of Kylie Minogue, Madonna, and the Supremes in a fabulous, neo-Weimar cabaret fantasia.